Tuesday, September 30, 2014

If you want to read Guardians of the Galaxy, where should you start? Recommended reading list




People say, "hey, Julian, I love the Guardians of the Galaxy movie, and I'd love to read the comics. I'd like to get into that whole corner of Marvel Comics. Where should I start and what should I read?"

Well, as a public service, here's my somewhat complete list:

(Warning! Super-nerdy and HUGE list to follow.)


IRON MAN #55-56 (Starlin, 1973). An unlikely place to start, but it's got the introduction of Drax the Destroyer and Thanos, a great beginning for Marvel's "space/cosmic" corner. Reprinted in ESSENTIAL IRON MAN VOL. 3.

MARVEL TWO-IN-ONE #4-5 (Gerber, 1974). Features the original version of the Guardians of the Galaxy teaming up with the Thing and Captain America to take down the reptile Badoon who conquered the solar system. Reprinted in ESSENTIAL MARVEL TWO-IN-ONE VOL. 1.


CAPTAIN MARVEL #26-33 (Starlin, 1974), AVENGERS #125 (Englehart, 1974). The first Thanos War, maybe one of the biggest Avengers story to that point, where Thanos obtains the Cosmic Cube. All of the big space stories will follow the lead of this series. Reprinted in ESSENTIAL CAPTAIN MARVEL VOL. 2.


STRANGE TALES 178-181 (Starlin, 1975), and WARLOCK #9-15 (Starlin, 1975-1976).Adam Warlock in space vs. the Universal Church of Truth, an evil religion. Sarcastically known as the "Adventures of Adam Warlock, Space-Christ." Features the introduction of Gamora and Pip the Troll, who was kinda the Rocket Raccoon Mark I. Reprinted in WARLOCK BY JIM STARLIN: THE COMPLETE COLLECTION.


MARVEL PRESENTS #3-12 (Gerber, 1976-1977). Bingo! This is the right place to start when reading about the "classic era" 30th Century version of the Guardians of the Galaxy. A word of warning: it's a very melancholic, sad, trippy book where all the heroes are last survivors of their species. Collected last year in the GUARDIANS OF THE GALAXY: TOMORROW'S AVENGERS for Kindle.


MARVEL PREVIEW #4 (Englehart, 1976), MARVEL PREVIEW 11, 14-15, 18 (Claremont, 1977). These are the earliest appearances of Star-Lord. Brace yourself, it’s VERY different, especially the first appearance, which had weird astrological concepts. Especially recommend 14-15, 18 due to the John Byrne art. These issues are super-rare and hard to find. Star Lord’s earliest appearances, thankfully, are collected in STAR LORD: GUARDIAN OF THE GALAXY, which only came out in July. I hear the movies will use a different origin than the one he receives here.


AVENGERS ANNUAL #7 (Starlin, 1977).Introduces the Infinity Gems and Thanos's desire to collect all of them. A great Avengers space epic in its own right. Easily available for a few bucks in back issue bins.


THOR ANNUAL #6 (1977), AVENGERS #159, 167-168, 170-177 (Shooter, 1978).The first big team up between the original Guardians of the Galaxy and the Avengers, the "Korvac Saga." A future Guardians/Avengers movie would logically follow this story. Reprinted in ESSENTIAL AVENGERS Vol. 8 and AVENGERS: THE KORVAC SAGA.

INCREDIBLE HULK #271 (Mantlo, 1982). Good luck getting this one in comic form; ever since it was known to be Rocket Raccoon's first proper Marvel Universe appearance, it's been selling for hundreds of dollars. People love that little guy!

AVENGERS #257-260 (Stern, 1985). The first and most memorable of Nebula’s appearances, she showed up as a tyrannical, ice cold, evil-to-the-core queen of alien pirates who took over Thanos’sultra powerful starship. Yet another story arc you can get cheap in back issue form.


ROCKET RACCOON #1-4 (Mantlo, 1985). Guess who did the art on Rocket Raccoon's original miniseries? Mike Mignola...creator of Hellboy! This is the last time we see Rocket's rocket skates, though. Apparently, that's just TOO silly. This has Rocket as protector of the Keystone Quadrant along with his buddy Wal Russ and his raccoon girlfriend Lylla. I doubt you'll be able to get the original issues since the character became INSANELY popular, but luckily, there is a reprint paperback: ROCKET RACCOON: GUARDIAN OF THE KEYSTONE QUADRANT. 


SENSATIONAL SHE-HULK #44-46 (Byrne, 1992).One of the rare appearances of Rocket Raccoon until the revival. She-Hulk was a comedy book prone to reviving weirdo obscuros, bad guys like Scragg: the Living Hill, the Toad Men, and Xemnu the Titan, not to mention using the continuity of horribly dated 70s space trucker comic US-1. So, Rocket Raccoon was a natural choice to show up. Dig into the back issues, you can get this one for cheap.


THANOS QUEST #1-2 (Starlin, 1990) and INFINITY GAUNTLET #1-6 (1991). If you can only read one of the two, personally, I prefer the StarlinThanos Quest mini: it’s a reminder why Thanos is the most terrifying guy in the Marvel Universe, and we get so very few villain-centered stories. INFINITY GAUNTLET puts the Marvel heroes, but especially the "space" guys like Silver Surfer and Adam Warlock, against a newly omnipotently powerful Thanos.


ADAM WARLOCK AND THE INFINITY WATCH #1-18 (Starlin, 1991-1992). Don’t tell me the Infinity Watch wasn’t the inspiration for the current Guardians of the Galaxy series. They have three out of their six members in common.


THANOS #7-12 (2004).The return of Star Lord to the Marvel Universe!And his first mysterious "death" cooperating with Thanos to imprison the evil lost Herald of Galactus, the Fallen One. This is also the story where Star Lord’s element guns and sentient ship were destroyed, a big part of the original version of the character, both of which haven’t been seen again.

DRAX THE DESTROYER #1-4 (2005). This series featured Drax the Destroyer acquiring the new red tattooed body seen in the first series.

ANNIHILATION: PROLOGUE One-Shot (Giffen, 2006), ANNIHILATION: NOVA #1-4, ANNIHILATION: SUPER-SKRULL #1-4, ANNIHILATION: SILVER SURFER #1-4, ANNIHILATION: RONIN #1-4, and ANNIHILATION #1-6 (Giffen, 2006). Annihilation was the big space-crossover that led to the more important sequel, Annihilation: Conquest and the Guardians of the Galaxy series. Good for background. The most important issues are Prologue, Nova, and the series itself. Like nearly all "event" stories, it’s better off reading it in collected form. I personally didn’t like this one as much as the sequel, CONQUEST. But it might be helpful to read to understand what’s going on in Conquest and Guardians.


ANNIHILATION: CONQUEST (Lanning, 2007). A sequel to Annihilation, it is this series that directly resulted in the new Guardians of the Galaxy series that was the foundation of the movie, and featured the first story of the team we call the Guardians today.


GUARDIANS OF THE GALAXY (Lanning, 2008). This is the series that directly led to the movie – it’s worth noting it was canceled in 2010. Absolutely worth it for Paul Pelletier’s pencils. The comic’s plot threads continued in THE THANOS IMPERATIVE 1-6, which is by the original creative team in 2012, and can be thought of as a Guardians of the Galaxy reunion. THE THANOS IMPERATIVE individual volume collects all of them.

WAR OF KINGS (2009). Set in between the first Guardians of the Galaxy series and THANOS IMPERATIVE, War of Kings is one of the big space storylines and features the  Guardians. It’s a headache to read in individual issues; the collections, available at many libraries, are much better.

AVENGERS ASSEMBLE #4-8 (Bendis, 2012). Star-Lord returns with the other Guardians in this comic series.


Moving on to the present day…

Ever since the movie, Marvel’s been racing to give people what they want with these new characters.

LEGENDARY STAR-LORD (2014). This series just started. It makes the Star Lord of the comics much more like the guy in the movies everybody liked.


GUARDIANS 3000 (2014). In case you were wondering if the 30th Century Guardians were forgotten in the blitz with the new guys, the answer is no. This series just started. Worth picking up if just for the Alex Ross cover.

There, I think I gave enough recommendations!

Saturday, January 18, 2014

5 Things You Probably Didn't Know about Ancient Rome


5. There were as many lawyers in Rome as there are today.


The most interesting thing about reading Roman history is how weirdly familiar it all feels. The Roman court system was similar to today's: you got a summons to come to court, there were bailiffs, multiple levels of courts, if a verdict didn't go your way you could file an appeal to a higher court (which ended in the Emperor instead of a Supreme Court), and there were even lawyers.

Not only were there lawyers in Rome, some of them were even what we'd call "ambulance chasers," aided by the fact the Romans were the first civilization to invent the idea of the lawsuit. Lawyers in Rome drafted wills and needed to be on hand for contracts. Since most Roman lawyers were paid by the line, most really were blathery and wordy. Even the smallest village in Roman times had a lawyer.


Interestingly, their job seems very similar to today. Roman courts had cross-examination of witnesses, hearsay was rejected, proof in writing had greater weight over eyewitness testimony, and the burden of proof was on whoever was trying to make a claim.

Being a lawyer sometimes meant being a statesman, too. A famous Roman you've probably heard of, the articulate Cicero, was a lawyer by profession.



4. The Emperor Pertinax's Guard, after murdering him, sold his throne in an auction to the highest bidder.



Ancient Roman Emperors kept their power by a simple rule: keep the armies on your side, and to hell with everybody else.

The Emperor Probus (predecessor of the famous Diocletian), for instance, to keep his Legions occupied, assigned them the sort of busywork you might expect a substitute teacher to give an badly behaving class,  and for the same reason: to shut you up and keep you out of trouble. For instance, he ordered his soldiers to plant olive trees in the Sahara Desert. Overworked and upset about these petty indignities, when Probus said the Empire might be better off with volunteers instead of professional (well-paid) soldiers, it didn't take much for his own men to chase him to an empty tower and then stab him to death. Now, if only modern unions could pull off that kind of thing these days…!

The Praetorian Guard were a tremendously powerful faction in Rome, originally created by the Emperor Augustus as his personal "secret service" bodyguards. They were designed to do what modern day club bouncers do: block doorways, glower, and intimidate. But unlike the actual secret service, the Praetorian Guard had an awful lot of power over the Emperor for the simple and basic reason that if they weren't kept happy, when his back was turned, they had a lot of knives and could stab the Emperor with them.


This actually happened when the Praetorian Guard were annoyed by the Emperor Pertinax, who the Praetorian Guard stabbed repeatedly in 198 AD. The Praetorian Guard had no leaders, and were just an unruly mob, so they decided to auction off the throne of Rome to anyone willing to pay them. 

A rich, vain old man named Didus Julianus paid the Praetorian Guard to be Emperor after being convinced of it by his Mr. Smithers-like yes-men and lackeys. Didus Julianus paid a hefty amount to every single Praetorian Guardsman to do what Mitt Romney tried and failed to do: buy his way to the highest office in the world.


He had a party to celebrate becoming Emperor, but in the harsh light of day had a brutal panic attack: he had no allies anywhere, the people didn't support him because of the slimy way Didus got into office (would you?), the army generals didn't support him (I guess he should have paid them off, too) and on hearing what happened, the Senate sentenced him to death. His last words were, "but I didn't do anything!"


3. One Emperor was a crossdresser. 

I have to stop and emphasize here that I am not making any of this up. 



Even by the standards of psychotic Roman Emperors, Elagabalus was a piece of work. Taking the throne at 14, he ruled for four years where he wore women's cosmetics including eye shadow, and tweezed his eyebrows. At night, he often went out to work as a prostitute on the streets of Rome, even catcalling passerbys.


He married a muscular blond slave who drove his chariot, Hierocles, and apparently, Elagabalus was the woman in the relationship. He used to say "I am delighted to be called the mistress, the wife, the Queen of Hierocles." 

Elagabalus offered a huge sum of money to any physician or doctor in the Empire who could take off his penis and give him a functional vagina.


And to top it all off, Elagabalus was a religious nut, too. He replaced worship of Jupiter with a Babylonian mountain god called Elagabal, which comes from Ilāh hag-Gabal, a damn weird cult centered around touching a meteorite.



2. Christianity was created by an act of "selling out."



In the beginning, in order to be a Christian, you had to be a Jew first.

Early Christianity was an odd sect of reform Judaism, allowing only Jews, requiring circumcision and obeying kosher dietary laws. When did that change? Partially it was the work of St. Paul, but the earliest, most severe break point was a gigantic act of selling out in 135 AD.

A couple years before, the last of Jewish self-rule was eliminated when the Romans, who as usual didn't mess around: they crushed the rebellion of Bar Kochba, a man who claimed he was the Messiah and even delusionally printed his own coins to that effect.


Note to future Messiahs: don't print your own coins saying the Kingdom of Heaven has come unless you're absolutely sure.

With the end of military leader Bar Kochba, the political future of Jewish identity was a sinking star you'd be crazy to hitch your wagon to, especially for an up and coming new reform sect like Christianity drifting further away every day from its roots. On the other hand, the Roman world was looking more comfortable and hospitable, at its absolute high point under first class ruler Antoninus (one of the famous "5 Good Emperors," notable for their lack of insanity).


The break point came in 135 AD. The Emperor Hadrian built a city intended to be the new financial, Roman center of conquered Palestine right on Mount Sion, the Ælina Capitolina. The one rule was this: no Jews were allowed. Stop and think about that: Jerusalem was so totally destroyed by the Romans almost nothing was left, and no Jews were allowed on the new city built where it once stood. If this sort of thing keeps happening, I'm liable to start thinking the Jews can't buy a break.


In response to this "keep out" rule, the Nazarenes, who in truth were growing more different from the Jews every day, elected Marcus as a bishop – the first gentile to be Bishop of Jerusalem, who was either Italian or Latin, and Marcus persuaded the Nazarenes to give up the Mosaic law…all to buy entrance into Hadrian's business port! By the way, the office of the Bishop of Jerusalem continues in an unbroken line in today's Orthodox Church 2000 years later.

Not everybody agreed with the election of Marcus, though – they moved and became the Ebionites, one of the most eccentric groups of Christian-Jews. But all that notwithstanding, it was easily one of the most influential acts of selling out in world history.



1. Rome was once seriously close to being beaten by a warrior-queen. 


Zenobia, Queen of Palmyra, was like a character out of a cheesy fantasy novel, except she really lived. She was so cool it's hard to believe she was a real person. She used to like to hunt with her men and officers, and could ride a horse, steer a chariot, throw a spear, and shoot a bow. She was described as darkskinned and dark-haired and was "more beautiful than Cleopatra," though unlike Cleopatra she was totally devoted to her husband and didn't sleep around.


Zenobia was not only warlike but literate: she spoke fluent Latin, Greek, Aramaic, and even Ancient Egyptian, and surrounded herself with poets and philosophers.  Zenobia said she was descended from Cleopatra, a claim that's nowhere near as farfetched as it sounds, because Cleopatra's family tree (the Ptolemies) did have many eastern branches that survived.


In a detail that might just be too good to be true, it's reported she was Jewish through her mother – not only Jewish, but an early Christian back when it was hard to tell the two groups apart… a member of an obscure Eastern version of Christianity, Paulianists, who believed Jesus was born a mortal man but God later "adopted" him as His son. Even if she wasn't a Jewish Christian, Zenobia was shockingly Jew-friendly: Rabbis came to her court to speak.


Zenobia ruled Palmyra, a Greek-speaking Eastern trading center in modern Syria, big enough and rich enough and Eastern/foreign enough to be a legit contender as a rival to Rome. When the Romans were tied up with the Gauls on the other side of the world, Zenobia seized her chance and created a break-off "Palmyrene Empire," taking Egypt, Syria, Palestine, and Asia Minor. As all of Rome depended on Egyptian grain, this was a pretty serious threat to the entire Roman Empire: it meant Rome started to run out of food.


Unfortunately for Zenobia, the Roman Emperor at this time wasn't run by a teenage crossdresser, but Aurelian (the city of Orleans is named after him), a no-BS, serious fighting man who kept the Roman Empire from breaking up into three. He claimed a ghost appeared and told him to handle his enemies with kid gloves, which explains why, when Zenobia was inevitably captured, she wasn't put to death but instead lived out her life in a posh Italian villa comfortably, and her descendants were major historical and political figures.


That's almost enough to make up for the fact only one movie was ever made about her, the Sign of the Gladiator, a cheesy 60s peplum uplifted by the gorgeous Anita Ekberg in the title role (and featuring Chelo Alonso in a dance number, who I wrote about here).



Monday, January 6, 2014

Why Thanos is cooler than Darkseid



Both Thanos and Darkseid are craggy faced, megalomaniac outer space bad guys who are intergalactic menaces. The two characters are compared often, and to me, it's not even a contest: Thanos, the "Mad God," is the more frightening, the more intimidating, the more fearsome, the more complex, the more intriguing, and is featured in way better stories. And it doesn't surprise me in the least Thanos would make it to the big screen ahead of Darkseid.


Sure, Darkseid came first (but not by much), but as with everything in life, it's not who does it first, but who does it right.


Thanos has a more interesting motivation and origin.

Thanos is a nihilist in love with Death herself, who wants to give her the universe. Darkseid, on the other hand, wants to solve a math problem.


Beyond that, Thanos has a far more interesting psychology at work. He's terrifying for a reason Darkseid isn't. Darkseid is an authoritarian dictator who wants control. Thanos, on the other hand, has a cold, crystalline commitment to nihilism and death terrifying to any rational being. He commits genocide because he is philosophically opposed to life: he views it as a disease in a dead universe. He kills because death is beautiful, and life isn't worth living. Thanos tears out grass because its life is hideous to him; the ground would be more beautiful dead and cold. He wants to destroy life on Earth and other planets because our world is far worse off than quiet, crystalline, barren worlds like Mars, Mercury, and the Moon. Thanos proved his commitment to this idea in a cold, personal way: he killed his own mother.

In short, Thanos is terrifying because of the way he thinks, not just because he can shoot scary eye lasers.


Thanos's origin is eerie and poetic: Death appeared to Thanos as a young man, a woman so beautiful she made other women look like horrible hags. To win her over, Thanos wants to present the Universe as a gift to her. It's like something out of Herman Hesse or Ingmar Bergmann, magical realism you're not sure if it really happened or if what we just saw was a metaphor.

There's also an element of pathos in Thanos's motivation, too: no matter what he does to honor Death, she doesn't give him the time of day. Thus far, Death has never even spoken to him. No matter how many successes he has or how many triumphs he has. Even when Thanos tried to get over Death and form his own evil Pantheon of Gods in Avengers: Celestial Quest, you could tell he hadn't gotten over her and his behavior was upping the ante overcompensation.


Thanos has a sense of humor and dry wit. 

Voltaire said, "God is a comedian playing to an audience too afraid to laugh." Thanos is very much the same way: one of the most amusing things about the character is how his dry humor is wasted on people terrified of him.


For instance, remember in the Avengers movie when, after being told the Avengers "court death," he gave a wry, dark smile? Is it even conceivable for Darkseid to appreciate wit or wordplay like that?


Or, remember this interaction in Dan Slott's She-Hulk?

"You're the Mad Titan. You bring death, pain, and destruction wherever you go." 
"I see my reputation precedes me."

Thanos even got off a bit of sly mockery there due to his respect for his enemy, Captain Marvel.


Oh, that reminds me of the next point:


Thanos had respect for his greatest enemies. 

Even Doctor Doom, for all his nobility, thinks of Reed Richards as a less talented clown.


Thanos, on the other hand, appeared to Captain Marvel as he was dying from cancer to actually HELP him accept the inevitable, feel no fear, and pass into another world. He even showed up in Captain Marvel's mind to fight him, simply because he felt someone like Captain Marvel, dying of cancer, deserved to go down fighting. This wasn't some evil plan of his; Thanos showed up to ease Mar-Vell into dying at peace because he wanted to help.


So great was Thanos's respect for Captain Marvel, he was horrified to see Quasar become Mar-Vell's replacement and pretender, and beat him pretty brutally for it.


Likewise, Thanos helped his other great enemy, Adam Warlock in the Infinity Watch against the power of the Magus.


Thanos actually came much closer to winning. 


Thanos is a much more effective villain because he not only obtained infinite power once, but several times. In the first Thanos War, he obtained the Cosmic Cube, and all of reality was his plaything. Not only that, but in the Infinity Gauntlet, he obtained the Infinity Gems. Among other things, he killed one out of every four life forms everywhere in the entire universe just to make a point (someone wished them back later, but what a gesture).


All this was not only in-continuity, but in some of Marvel's most important stories.


Darkseid on the other hand, only got his precious fucking math problem solved in alternate universes and possible futures. Remember Rock of Ages?


Thanos is more terrifying and intimidating.


Perhaps because Thanos has a way higher success rate (and again, an origin that doesn't involve solving an evil math problem), Marvel treats Thanos the way Doctor Who treats the Daleks: they only come out when they aren't messing around. Thanos is never used gratuitously, and certainly isn't overused, something that can be said about Darkseid.

Perhaps because Thanos has a much more lively psychology than Darkseid, it's interesting to note it's implied part of the reason Thanos lost was because of his own inner doubt; he's uncomfortable with totally winning. In short, nobody really beats Thanos except Thanos.


Thanos is always drawn dynamically. Darkseid is always sitting in a chair. 

There's a tumblr that's nothing but images of Darkseid chillaxing on a couch.

Why is that even a thing at all? I'm going to get into trouble for saying this, but it's absolutely true: Jack Kirby's art got lazier the instant he stopped working with a plotter. If you don't believe me, count the panels for yourself: the average issue of Fantastic Four had 33% more panels than the average Fourth World comic. Kirby's splash pages went from pop out action sequences, like in Fantastic Four:


...to scenes of people just chilling in rooms.


Thanos's poses, on the other hand, suggested confidence, megalomania, and arrogance. And Thanos certainly never stands around with his hands behind his back looking bored.

In the end, this crucial difference seems to summarize the distinction between the two characters. Thanos is a dynamic character with a vivid inner life and Darkseid does the same thing over and over. As a result of lessons he learned in battle with Akhenaten in Marvel's The End, Thanos found conquest and destruction inherently futile, a realization that's been with the character ever since, for example.

When asked who is more interesting, it's no contest.